Techno?s biggest flaw is its self-referencial tendency. You know the deal, the common contemporary DJ/Producer steals an Underground Resistance-Record from his older brother at the age of 16 (biographical details may vary, not to impair the facts, though), thus presuming to have found the holy grail (what, of course, nobody is claiming to deny).
His world is shrinking down to Detroit, Chicago, New York and Berlin within the following years, he?ll equip himself with records and turntables and not look over the rim of his MKII ever again. Adam Ports biography is different. Adam was Hardcore, when he was 16. No, not Rotterdam- Hardcore. We?re talking New York-, Boston- and Washington D.C.-Hardcore here. It?s a past that he still lives up to, cultivating it in his vegetarian-straight-edge-lifestyle.
After that there was HipHop. He got in touch with turntablism, discovered his love for vinyl and evolved to be a skilled DJ for the first time. Then, finally came Techno. This way of tracing down spaces, giving one the best possible chance of self-development, is the essential reason for Ports
presence being so unique. There?s no scene-dictated tunnel view in his activities, there is only a pointed emphasis on style, on groove and sophistication. An emphasis, that, because it?s informed by Dub, Danchall, Rap, Soul or even Psychedelic Rock, is advanced enough to always shine through the inflationary characteristic of the genre as notably original. That applies to both, his productions and his DJ-sets.
What Adam Port is laying his hands on might have its place within the parameters of House and Techno, but it?s always more than that. It?s his style.
When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that?s already captured in his alias. Coming from Hamburg to Berlin in 2004 his talent was soon recognized by folks like DJ Hell or DJ T. who hired him as their co- producer.
Besides, he was playing the clubs (national and international) all week every week and putting his effort in remixes for the likes of Roxy Music, Tiefschwarz or Anthony Rother. But as soon as he dropped his first solo productions, he finally made himself a name in a quite unparalleled way. “F.I.R.” – his first release on keinemusik, a collective of Berlin based DJs and producers, he helped founding in 2009, was a massive clubhit, but in the end not much more than a foretaste of things to come. Releases and remixes on Front Room, Souvenir, Rebirth, Liebe*Detail, Saved etc. followed, his reputation as a gifted producer and DJ extraordinaire spread even more into international realms, and that?s where he stands right now, as his blend of Techno and soulful Housemusic took incredible shape: Many new projects in focus and clearly visible as one of the most unique and original figures in the game.